The tall florescent signs cling to the buildings, illuminating their heights. He walks among the bases of them, as he always has, shuffling his feet as he goes his way.
There is a space between him and everyone else. It is not a conscious thing on their part, but all of them part and walk around him. He knows why. He knows why no one looks him in the eye, why everyone gives him a wide berth. It is that old mark, almost as old as time itself; literally.
Somewhere a voice blares out advertisements for the latest in virtual pleasure. He will not go. There is nothing for him there. They offer only artificial love, not real love. Real love is just like thirty five cent soda pop. They don’t have it anymore, haven’t had it for a long time.
Centuries of wandering weigh him down. He left Nod and never looked back, never stopped walking. The road was his place. The life of a vagabond wanderer, with nothing to call home, that was his. But was that part of the curse? He did not know, and he does not care now. Too much time has passed for him to care anymore.
Time. He has known quite a bit of it. The past is lucid in his head, though he has lived for millennia. He remembers when all was still somewhat new. He remembers his parents, and how they plowed the land for their food. He remembers looking far off, and seeing the paradise they were shut out of. He remembers his brother. He remembers his brother’s blood.
The mark on his forehead, the one put there as a ward against harm, itches. He rubs it. It always itches when he thinks back to that time. Not simply a murder, but the one that begat all the rest. Perhaps, deep in their souls, the people around him know this. Perhaps this is why they move away from him. Even so far after the fact, they know him.
He still walks the city streets. Cars whizz by him, honking and grumbling as they go. The people move around him and go on their ways. They go to friends and family. He has neither. No human will call him a friend, and all of his family went the way all people must go in the end.
Yet he has been denied that. Always he has lived on, feeling neither hunger nor fatigue, seeing slaughter and sex and all manner of violence and debauchery. He does not know why. Maybe this is another facet of his punishment; viewing the offspring of his action.
A pain grows in his heart. He does not understand why they have not learned. He learned a long time ago; spent a long age crying in a deserted place with guilt threatening to kill him. Perhaps he has been absolved, perhaps not. But he has made the effort. They have not. They go on in their ways, ignoring the warning that his punishment was supposed to be. It was written down for them, so plain, he does not understand how they ignore it. Even after all this time, he does not understand it.
There is a God still, this he knows. Perhaps one day he will understand, one day he will feel weariness at long last, and go to the same end that all others from that time have. He is not tired though. He walks on, beneath the giants of his creation, head bowed down in perpetual penance.
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Definitely make "literally" it's own sentence.
I'd nix the bit in red (tis redundant) and join "Real love is just like thirty-five cent soda pop." together with "They don't have it anymore."--a dash should do the job, and then you don't leave your readers with that momentary beat of "Huh? How is love like soda?" since they'll see the dash and suspend that thought.
Do you mean, "when everything was still..."? I get what you're trying to do by using "all", but it's a bit confusing.
Hmmm, nice ending you've got there. I do enjoy your little vignettes, darling. As ever, hope I've been helpful!
Connie! I'm finally getting to something of yours. I liked the title of this one, so I've descended upon it. I think I'll move onto your other ones after this. I think Orpheus is next.
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Ouch, not correct and it's a bit sad to look at literally just hanging there all by itself, separated by an odd semi-colon.
Not go where? To the places of the advertisements? I know that's what you mean, but it's strange to just say "He will not go". You're being a bit too vague here.
Begat? I question the existence of this word. I know beget is. Anyway, I'm questioning. Perhaps check into it?
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An interesting portrayal of Cain, courtesy of no one else but Con. Actually, it makes me think of Sandman, but of course the Sandman Cain is very, very different, so your portrayal has that Gaiman feel, however it differs, it is unique. Too bad this is only a short overview of Cain, and he's not integrated into an actual story.
Problems that exist is that you go on for a little bit too long. By this part:
I feel like you've already reiterated this concept of isolation, and this and some following descriptions felt too repetitive. I felt it was time to move onto a different concept, rather than his isolation and damnation of character. I think Stella phrased it as "preachy", and though I don't really want to use that word, I think you do need to recognize the stopping point of the current topic and then continue on to another concept about Cain, instead of wearing out the descriptions. The end is refreshing. It moved on -- of course, then it ended.
Overall, this was very interesting, it just felt a little too drawn out right before the ending. Consider putting this guy in a story! It would be very interesting.
I hope this review was helpful, see you around!
~ Clo
'Allo Connie, Stella here!
Cain and Abel, eh?
I. NITPICKS
Might be regionl difference, but... fluorescent, non?
Nod? As in Sleep, or was that where they actually lived?
Yet technically, to take a creationist approach, they are all his family...
Why is sex in with all the bad things, I'm wondering... I mean, it can be bad, but I just... wouldn't put it in as being vulgar...
II. GRIEF/REMEMBRANCE
Cain has seen a lot. All of it, to be honest. He's been there since nearly the very beginning. What's he done in that time? Simply watched? What has he seen that's struck him deeply? Bad and good-because amongst the evil that men do, there is good as well. You can't deny it. Has his heart ever gone out to the good ones who are now gone? Does he grieve them?
And what of Abel? Does he remember his brother fondly ('til he killed him)? His parents? They get a mention, but I didn't feel like I got a good grasp on them. You've got a nice perspective here, use it! Build those first few memories up, just a little bit...
III. PREACHER-MAN
Connie, dear, it is a bit preachy. I mean, it's good, but your last paragraphs could use work, because you sound like an evangelist. Not that there's anything wrong with evangelists, it's just that I thought it was a bit out of place in your piece. Some subtling down (is that a word?) wouldn't go amiss. Go on, I know you can do it!
IV. OVERALL
I liked it. Lots. A really interesting idea. *Gold star*
Hope I helped, feel free to drop me a note if you need anything!
-Stella.